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SELECT BIBLIOGRAPHY
1. Editions Used
ALEXANDER, Peter, ed.
William Shakespeare: The Complete Works. London: Collins, 1966.
BUSH, Douglas, ed.
Milton: Poetical Works. Oxford Standard Authors. London: Oxford University Press, 1969.
ELYOT, Thomas.
The Boke Named the Gouernour. Everyman's Library. Ed. Ernest Rhys. London: Dent, n.d.
GARDNER, Helen, ed.
The Metaphysical Poets. Harmondsworth: Penguin, 1972.
HINMAN, Charlton, ed.
The Norton Facsimile: The First Folio of Shakespeare. New York: Hamlyn, 1968.
SHAKESPEARE, William.
All's Well That Ends Well. Ed G.K. Hunter. 3rd ed. London: Methuen, 1959.
A Midsummer Night's Dream. Ed. Harold F. Brooks. London: Methuen, 1979.
As You Like It. Ed Agnes Latham. London: Methuen, 1975.
Cymbeline. Ed J.M. Nosworthy. London: Methuen, 1955.
Hamlet. Ed. Harold Jenkins. London: Methuen, 1982.
King Richard III. Ed. Anthony Hammond. London: Methuen, 1981.
Love's Labour's Lost. Ed. Richard David. 5th ed. London: Methuen, 1956.
Macbeth. Ed. Kenneth Muir. 9th ed. London: Methuen, 1982.
Measure for Measure. Ed. J.W. Lever. 2nd ed. London: Methuen, 1979.
Much Ado About Nothing. Ed. A.R. Humphreys. London: Methuen, 1981.
Othello. Ed. M.R. Ridley. 7th ed. London: Methuen, 1971.
Pericles. Ed F.D. Hoeniger. London: Methuen, 1963.
Romeo and Juliet. Ed. Brian Gibbons. London: Methuen, 1980.
The Comedy of Errors. Ed. R.A. Foakes. 5th ed. London: Methuen, 1969.
The Merchant of Venice. Ed. Arthur Quiller-Couch and John Dover Wilson. Cambridge: Cambridge University Press, 1968.
The Merchant of Venice. Ed. John Russell Brown. 7th ed. London: Methuen, 1966.
The Merry Wives of Windsor. Ed. H.J. Oliver. London: Methuen, 1979.
The Sonnets. Ed. John Dover Wilson. 2nd ed. Cambridge: Cambridge University Press, 1976.
The Taming of the Shrew. Ed. Arthur Quiller-Couch and John Dover Wilson. Cambridge: Cambridge University Press, 1975.
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The Taming of the Shrew. Ed. Brian Morris. London: Methuen, 1981.
The Tempest. Ed. Frank Kermode. 6th ed. London: Methuen, 1958.
The Two Gentlemen of Verona. Ed. Clifford Leech. London: Methuen, 1969.
The Winter's Tale. Ed. J.H.P. Pafford. London: Methuen, 1973.
Timon of Athens. Ed. H.J. Oliver. London: Methuen, 1959.
Troilus and Cressida. Ed. Kenneth Palmer. London: Methuen, 1982.
Twelfth Night. Ed. Arthur Quiller-Couch and John Dover Wilson. 2nd ed. Cambridge: Cambridge University Press, 1968.
Twelfth Night. Ed. J.M. Lothian and T.W. Craik. London: Methuen, 1975.
SISAM, Kenneth, ed.
Fourteenth Century Verse and Prose. London: Oxford University Press, 1975.
2. Biography
BURGESS, Anthony.
Shakespeare. Harmondsworth: Penguin, 1972.
3. Theory and History of Music
FINNEY, Gretchen Ludke.
Musical Backgrounds for English Literature: 1580-1650. 1965; rpt. Westport: Greenwood Press, 1976.
GROUT, Donald Jay.
A History of Western Music. Rev. ed. London: Dent, 1973.
REMNANT, Mary.
Musical Instruments of the West. London: B.T. Batsford, 1978.
SCHOLES, Percy A.
The Oxford Companion to Music. Ed. John Owen Ward. 10th ed. London: Oxford University Press, 1972.
STRUNK, Oliver, ed.
Source Readings in Music History. New York: Norton, 1950.
4. General Reference and Criticism
EMPSON, William.
Seven Types of Ambiguity. 3rd ed. London: Chatto and Windus, 1956.
FREUD, Sigmund.
The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. James Strachey, Anna Freud, Alix Strachey and Alan Tyson. XXIV vols. London: Hogarth Press, 1968.
GUIRAND, Felix, ed.
New Larousse Encyclopedia of Mythology. Trans. Richard Aldington and Delano Ames. Rev. ed. London: Hamlyn, 1977.
ONIONS, C.T., ed.
The Shorter Oxford English Dictionary on Historical Principles. 3rd ed. London: Oxford University Press, 1972.
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5. Shakespeare Reference and Criticism
ALEXANDER, Nigel.
Shakespeare: Measure for Measure. Studies in English Literature No.57. London: Edward Arnold, 1975.
ALLEN, Percy.
'Ducdame, Ducdame.' Times Literary Supplement, February 22, 1934, p.126.
ARMSTRONG, Edward A.
Shakespeare's Imagination: A Study of the Psychology of Association and Inspiration. 1946; rpt. Lincoln: University of Nebraska Press, 1963.
ATKINSON, A.D.
'"Full fathom five".' Notes and Queries, CXCIV (1949), 465-468 and 493-495.
AUDEN, W.H.
'Music in Shakespeare: Its Dramatic Use in His Plays.' Encounter, IX, 6 (1957), 31-44.
BALDWIN, T.W.
Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure from 1470. Urbana: University of Illinois Press, 1963.
BECK, Sydney.
'The Case of "O mistresse mine".' Renaissance News, VI (1953), 19-23.
BOUGHTON, Rutland.
'Shakespeare's Ariel: A Study of Musical Character.' Musical Quarterly, II (1916), 538-551.
BRENNECKE, Ernest.
'"What shall he have that killed the deer?": A Note on Shakespeare's Lyric and Its Music.' Musical Times, XCIII (1952), 347-351.
BRISSENDEN, Alan.
'Much Ado About Nothing, II.i.86-96: The Case for Balthasar.' Notes and Queries, XXVI (1979), 116-117.
Shakespeare and the Dance. London: Macmillan, 1981.
'The Dance in As You Like It and Twelfth Night.' Cahiers Elizabethains, XIII (1978), 25-34.
BRONSON, Bertrand H.
'Daisies Pied and Icicles.' Modern Language Notes, LXIII (1948), 35-38.
BROOKE, Stopford A.
On Ten Plays of Shakespeare. 1905; rpt. London: Constable, 1954.
BROWN, John Russell.
'The Riddle Song in The Merchant of Venice.' Notes and Queries, CCIV (1959), 235.
CHAMBERS, E.K.
Shakespeare: A Survey. London: Sidgwick and Jackson, 1955.
CHARLTON, H.B.
Shakespearian Comedy. London: Methuen, 1973.
CORIN, Fernand.
'A Note on the Dirge in Cymbeline.' English Studies, XL (1959), 173-179.
CROFT, P.J.
'The "Friar of order gray" and the Nun.' Review of English Studies, XXXII, 125 (1981), 1-16.
CUTTS, John P.
'Music and the Supernatural in The Tempest: A Study in Interpretation.' Music and Letters, XXXIX (1958), 347-358.
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DE ALMEIDA, Barbara Heliodora C. de M.F.
'Troilus and Cressida: Romantic Love Revisited.' Shakespeare Quarterly, XV (1964), 327-332.
DUCKLES, Vincent.
'New Light on "O mistresse mine".' Renaissance News, VII (1954), 98-100.
DUNN, Catherine M.
'The Function of Music in Shakespeare's Romances.' Shakespeare Quarterly, XX, 4 (1969), 391-405.
EVANS, Willa McClung.
'Shakespeare's "Harke harke ye larke".' Publications of the Modern Language Association, LX (1945), 95-101.
FAIN, John Tyree.
'Some Notes on Ariel's Song.' Shakespeare Quarterly, XIX, 4 (1968), 329-332.
FELLOWES, Edmund H.
'"It was a lover and his lass": Some Fresh Points of Criticism.' Modern Language Review, XLI (1946), 202-206.
FISHER, S.T.
'The Song of the Seasons in Love's Labour's Lost.' Notes and Queries, XXIX, 2 (1982), 110-111.
GARTENBERG, Patricia.
'Shakespeare's Roaring Girls.' Notes and Queries, XXVII, 2 (1980), 174-175.
GARVIN, Katharine.
'A Speculation about Twelfth Night.' Notes and Queries, CLXX (1936), 326-328.
GRANVILLE-BARKER, Harley.
Prefaces to Shakespeare: First Series. London: Sidgwick and Jackson, 1953.
Prefaces to Shakespeare: Second Series. London: Sidgwick and Jackson, 1954.
GRANVILLE-BARKER, Harley and Harrison, G.B.
A Companion to Shakespeare Studies. London: Cambridge University Press, 1955.
GRAY, Austin K.
'The Song in The Merchant of Venice.' Modern Language Notes, XLII (1927), 458-459.
GREGSON, J.M.
Shakespeare: Twelfth Night. Studies in English Literature No.72. London: Edward Arnold, 1980.
HALLIDAY, F.E.
A Shakespeare Companion, Rev. ed. Harmondsworth: Penguin, 1969.
HARRISON, G.B.
Introducing Shakespeare. 3rd ed. Harmondsworth: Penguin, 1974.
HERBERT, T.W. and Waldo, Tommy Ruth.
'Musical Terms in The Taming of the Shrew: Evidence of Single Authorship.' Shakespeare Quarterly, X (1959), 185-199.
HUNTER, Robert G.
'The Function of the Songs at the End of Love's Labour's Lost.' Shakespeare Studies, VII (1974), 55-64.
KNIGHT, G. Wilson.
The Crown of Life: Essays in Interpretation of Shakespeare's Final Plays. London: Methuen, 1961.
The Shakespearian Tempest with a Chart of Shakespeare's Dramatic Universe. 3rd ed. London: Methuen, 1960.
The Sovereign Flower: On Shakespeare as the Poet of Royalism together with Related Essays and Indexes to Earlier Volumes. London: Methuen, 1958.
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The Wheel of Fire: Interpretations of Shakespearian Tragedy with Three New Essays. 4th ed. London: Methuen, 1959.
LATHROP, H.B.
'Shakespeare's Dramatic Use of Songs.' Modern Language Notes, XXIII (1908), 1-5.
LAWRENCE, W.J.
'Music in the Elizabethan Theatre.' The Musical Quarterly, VI (1920), 192-205.
LEGGATT, Alexander.
Shakespeare's Comedy of Love. London: Methuen, 1974.
LERNER, Laurence, ed.
Shakespeare's Comedies: An Anthology of Modern Criticism. Harmondsworth: Penguin, 1967.
LONG, John H.
'Discussion: Beck's "The Case of 'O mistresse mine'".' Renaissance News, VII (1954), 15-16.
'Shakespeare and Thomas Morley.' Modern Language Notes, LX (1950), 17-22.
Shakespeare's Use of Music: A Study of the Music and Its Performance in the Original Production of Seven Comedies. 1955; rpt. Da Capo Press Music Reprint Series. New York: Da Capo, 1977.
Shakespeare's Use of Music: The Final Comedies. 1961; rpt. Da Capo Press Music Reprint Series. New York: Da Capo, 1977.
Shakespeare's Use of Music: The Histories and Tragedies. Gainesville: University of Florida Press, 1971.
MILLER, Harry Colin.
'A Shakespearean Music Lesson.' Notes and Queries, CLXV (1933), 255-257.
MOODY, A.D.
Shakespeare: The Merchant of Venice. Studies in English Literature No.21. London: Edward Arnold, 1971.
MOORE, John Robert.
'The Songs of the Public Theaters in the Time of Shakespeare.' Journal of English and Germanic Philology, XXVIII (1929), 166-202.
MUIR, Kenneth, ed.
Shakespeare: The Winter's Tale: A Casebook. Casebook Series. London: Macmillan, 1968.
MUIR, Kenneth and Schoenbaum, S., eds.
A New Companion to Shakespeare Studies. London: Cambridge University Press, 1971.
NAYLOR, Edward W.
Shakespeare and Music. New York: Da Capo, 1969.
NOBLE, Richmond.
'A Song in As You Like It.' Times Literary Supplement, June5, 1930, p.478.
'Feste's Epilogue Song.' Times Literary Supplement, July 10, 1930, p.576.
Shakespeare's Use of Song with the Text of the Principal Songs. London: Oxford University Press, 1967.
NOSWORTHY, J.M.
'Music and Its Function in the Romances of Shakespeare.' Shakespeare Survey, XI (1958), 60-69.
OSBORN, James M.
'Benedick's Song in Much Ado.' The Times, November 17, 1958, p.11.
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PAFFORD, J.H.P.
'Music, and the Songs in The Winter's Tale.' Shakespeare Quarterly, X (1959), 161-175.
PALMER, D.J., ed.
Shakespeare: Twelfth Night: A Casebook. Casebook Series. London: Macmillan, 1982.
PALMER, John.
Political and Comic Characters of Shakespeare. London: Macmillan, 1965.
PARTRIDGE, Eric.
Shakespeare's Bawdy: A Literary and Psychological Essay and a Comprehensive Glossary. Rev. ed. London: Routledge and Kegan Paul, 1968.
QUILLER-COUCH, Arthur.
Shakespeare's Workmanship. London: T. Fisher Unwin, 1919.
ROSSITER, A.P.
Angel with Horns: Fifteen Lectures on Shakespeare. Ed. Graham Storey. London: Longman, 1970.
SENG, Peter J.
'Pandarus' Song and Lily's Grammar.' Modern Language Journal, XLVIII (1964), 212-215.
'The Foresters' Song in As You Like It.' Shakespeare Quarterly, X (1959), 246-249.
'The Riddle Song in Merchant of Venice.' Notes and Queries, CCIII (1958), 191-193.
The Vocal Songs in the Plays of Shakespeare: A Critical History. Cambridge, Mass.: Harvard University Press, 1967.
SORENSEN, Fred.
'The Masque of the Muscovites in Love's Labour's Lost.' Modern Language Notes, L (1935), 499-501.
SPURGEON, Caroline F.E.
Shakespeare's Imagery and What It Tells Us. American ed. London: Cambridge University Press, 1958.
STEAD, C.K., ed.
Shakespeare: Measure for Measure: A Casebook. Casebook Series. London: Macmillan, 1971.
STERNFELD, Frederick W.
Music in Shakespearean Tragedy. 2nd ed. London: Routledge and Kegan Paul, 1967.
'Troilus and Cressida: Music for the Play.' English Institute Essays - 1952, (1952), pp.107-137.
TILLYARD, E.M.W.
Shakespeare's Early Comedies. London: Chatto and Windus, 1965.
Shakespeare's Last Plays. London: Chatto and Windus, 1958.
Shakespeare's Problem Plays. London: Chatto and Windus, 1957.
WEISS, Theodore.
The Breath of Clowns and Kings: Shakespeare's Early Comedies and Histories. London: Chatto and Windus, 1971.
WICKHAM, Glynne.
'Masque and Anti-masque in The Tempest.' Essays and Studies, XXVIII (1975), 1-14.
WILDERS, John, ed.
Shakespeare: The Merchant of Venice: A Casebook. Casebook Series. London: Macmillan, 1969.
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WILSON, John Dover.
Shakespeare's Happy Comedies. London: Faber and Faber, 1969.
WOOD, Warren Welles.
'A Comparison between Shakespeare and His Contemporaries in Their Use of Music and Sound Effects.' Summaries of Doctoral Dissertations, Northwestern University, XXII (1944), 33-38.
WRIGHT, Louis B.
'Extraneous Song in Elizabethan Drama after the Advent of Shakespeare.' Studies in Philology, XXIV (1927), 261-274.