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SELECT BIBLIOGRAPHY
1. Primary Sources 400
2. Bibliography 404
3. Concordances 405
4. General Reference and Criticism 405
5. Shakespearean Reference and Criticism 406
6. Review Articles 416
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ADAMS, Joseph Quincey, ed.
Chief Pre-Shakespearean Drama: A Selection of Plays Illustrating the History of the English Drama from Its Origins down to Shakespeare. Cambridge, Massachusetts: Riverside Press, 1924.
ALEXANDER, Peter, ed.
William Shakespeare: The Complete Works. London: Collins, 1966.
ALLEN, Michael J.B. and Muir, Kenneth, eds.
Shakespeare's Plays in Quarto: A Facsimile Edition of Copies Primarily from the Henry E. Huntington Library. Berkeley: University of California Press, 1981.
ANDERSON, William S., ed.
P. Ovidii Nasonis Metamorphoses. Bibliotheca Scriptorvm Graecorvm et Romanorvm Tevbneriana. Leipzig: BSB B.G. Teubner Verlagsgesellschaft, 1977.
ARBER, Edward, ed.
John Lyly, M.A.: Euphues, the Anatomy of Wit (Editio Princeps 1579); Euphues and His England (Editio Princeps 1580): Collated with Early Subsequent Editions. English Reprints. London: Constable, 1919.
BAKER, George P., ed.
Endymion: The Man in the Moon: Played before the Queen's Majesty at Greenwich on Candlemas Day, at Night, by the Children of Paul's. English Readings. New York: Henry Holt, 1894.
BERRY, Lloyd E., ed.
The Geneva Bible: A Facsimile of the 1560 Edition. Madison: University of Wisconsin Press, 1969.
BLAIR, Hugh, ed.
The Works of William Shakespeare, in Eight Volumes: In Which the Beauties Observed by Pope, Warburton, and Dodd, Are Pointed out: Together with the Author's Life, a Glossary, Copious Indexes, and, a List of the Various Readings. 1753; rpt. VIII vols. Edinburgh: Bell & Bradfute, J. Dickson, W. Creech, J. & J. Fairbairn, and T. Duncan, 1795.
BOAS, Frederick S., ed.
The Works of Thomas Kydd: Edited from the Original Texts with Introduction, Notes, and Facsimiles. 1902; rpt. London: Oxford University Press, 1955.
BRINSLEY, John.
Lvdvs Literarivs: Or, The Grammar Schoole; Shewing How To Proceede from the First Entrance into Learning, to the Highest Perfection Required in the Grammar Schooles, with Ease, Certainty and Delight both to Masters and Schollars; Onely According to Our Common Grammar, and Ordinary Classicall Authors: Begvn To Be Sought Ovt at the Desire of Some Worthy Fauourers of Learning, by Searching the Experiments of Sundry Most Profitable Schoolemasters and Other Learned, and Confirmed by Tryall: Intended for the Helping of the Younger Sort of Teachers, and of All Schollars, with Al Other Desirous of Learning; for the Perpetuall Benefit of Church and Common-wealth: It Offereth It Selfe to All to Whom It May Doe Good, or of Whom It May Receiue Good To Bring It Towards Perfection. London: Thomas Man, 1612.
BROOKE, C.F. Tucker, ed.
The Works of Christopher Marlowe. 1910; rpt. London: Oxford University Press, 1953.
BULLOUGH, Geoffrey.
Narrative and Dramatic Sources of Shakespeare. VIII vols. London: Routledge and Kegan Paul, 1957-1975.
BUSH, Douglas, ed.
Milton: Poetical Works. London: Oxford University Press, 1969.
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Certayne Sermons, or Homilies,
Appoynted by the Kynges Maiestie, To Bee Declared and Redde, by All Persones, Vicars, or Curates, Euery Son Daye in Their Churches, Where Thei Haue Cure. 1547.
COLLINS, J. Churton, ed.
The Plays & Poems of Robert Greene: Edited with Introductions and Notes. II vols. Oxford: Clarendon Press, 1905.
ELYOT, Thomas.
The Boke Named the Gouernour: Deuised by Sir Thomas Elyot Knyght. Londini: 1557.
FAIRHOLT, F.W., ed.
The Dramatic Works of John Lyly, the Euphuist: With Notes and Some Account of His Life and Writings. II vols. Library of Old Authors. London: John Russell Smith, 1858.
FEATHER, J.P., ed.
The Collected Works of Robert Armin. II vols. London: Johnson Reprint Corporation, 1972.
HEMINGE, Iohn and Condell, Henry, eds.
Mr William Shakespeares Comedies Histories & Tragedies: Published According to the True Original Copies. London: Jaggard and Blount, 1623.
Mr William Shakespeares Comedies, Histories, and Tragedies: Published According to the True Originall Copies. 2nd ed. London: Robert Allot, 1632.
Mr William Shakespeares Comedies, Histories, and Tragedies: Published According the True Original Copies. 3rd ed. London: Philip Chetwinde, 1663.
Mr William Shakespear's Comedies, Histories, and Tragedies: Published According to the True Original Copies: The Third Impression And unto This Impression Is Added Seven Playes, never before Printed in Folio: Viz. 'Pericles Prince of Tyre', 'The London Prodigall', 'The History of Thomas Ld. Cromwell', 'Sir John Oldcastle Lord Cobham', 'The Puritan Widow', 'A York-shire Tragedy', 'The Tragedy of Locrine'. 4th ed. London: P.C., 1664.
HINMAN, Charlton, ed.
The Norton Facsimile: The First Folio of Shakespeare. New York: Hamlyn, 1968.
HOOLE, Charles.
A New Discovery of the Old Art of Teaching Schoole, in Four Small Treatises. London: J.T. for Andrew Crook, 1660.
JONSON, Benjamin.
The Workes of Beniamin Jonson. London: Will Stansby, 1616.
LEISHMAN, J.B., ed.
The Three Parnassus Plays (1598-1601). London: Ivor Nicholson and Watson, 1949.
LINDSAY, W.M., ed.
T. Macci Plavti: Comoediae: Recognovit Breviqve Adnotatione Critica Instrvxit. II vols. 1904 and 1905; rpt. London: Oxford University Press, 1968 and 1974.
LUCAS, F.L., ed.
The Complete Works of John Webster. IV vols. London: Chatto and Windus, 1927.
LYLY, John.
Endimion, The Man in the Moone: Playd before the Queenes Maiestie at Greenwich on Candlemas Day at Night, by the Chyldren of Paules. London: I. Charlewood for Widdowe Broome, 1591.
MARTYN, John, Herringman, Henry and Marriot, Richard, eds.
Fifty Comedies and Tragedies Written by Francis Beaumont and John Fletcher, Gentlemen: All in One Volume: Published by the Authors Original Copies, the Songs to Each Play Being Added. London: J. Macock, 1679.
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PEELE, George.
The Old Wiues Tale: A Pleasant Conceited Comedie, Played by the Queenes Maiesties Players. London: Iohn Danter, 1595.
RHYS, Ernest, ed.
Select Plays by Francis Beaumont and John Fletcher. Everyman's Library No.506. London: Dent, 1916.
The Complete Plays of Ben Johnson. II vols. Everyman's Library Nos 489-490. London: Dent, 1920-1921.
Thomas Dekker. Mermaid Series. London: Ernest Benn, 1949.
ROBINSON, F.N., ed.
The Works of Geoffrey Chaucer. 2nd ed. Oxford: Oxford University Press, 1979.
SHAKESPEARE, William.
All's Well That Ends Well. Ed. G.K. Hunter. London: Methuen, 1982.
All's Well That Ends Well. Ed. Russell Fraser. Cambridge: Cambridge University Press, 1985.
A Midsommernights Dreame: As It Hath Beene Sundry Times Publickely Acted, by the Right Honourable, the Lord Chamberlaine His Seruants. London: Thomas Fisher, 1600.
A Midsummer Night's Dream: 1600. London: University Microfilms Limited, 1964.
A Midsummer Night's Dream. Ed. Harold F. Brooks. London: Methuen, 1979.
A Midsummer Night's Dream. Ed. R.A. Foakes. Cambridge: Cambridge University Press, 1984.
A Most Pleasant and Excellent Conceited Comedy, of Sir Iohn Falstaffe, and the Merry Wiues of Windsor: With the Swaggering Vaine of Ancient Pistoll, and Corporall Nym. London: Arthur Johnson, 1619.
A Most Pleasant and Excellent Conceited Comedie, of Syr Iohn Falstaffe, and the Merrie Wiues of Windsor: Entermixed with Sundrie Variable and Pleasing Humors, of Syr Hugh the Welch Knight, Iustice Shallow, and His Wise Cousin M. Slender: With the Swaggering Vaine of Auncient Pistoll, and Corporall Nym. London: T.C. for Arthur Johnson, 1602.
Antony and Cleopatra. Ed. M.R. Ridley. 1954; rpt. 9th ed. London: Methuen, 1972.
A Pleasant Conceited Comedie Called, Loues Labors Lost: As It Was Presented before Her Highnes This Last Christmas: Newly Corrected and Augmented. London: Cutbert Burby, 1598.
As You Like It. Ed. Agnes Latham. London: Methuen, 1984.
Cymbeline. Ed. J.M. Nosworthy. London: Methuen, 1980.
Hamlet. Ed. Harold Jenkins. London: Methuen, 1982.
Julius Caesar. Ed. T.S. Dorsch. London: Methuen, 1983.
King Henry VIII. Ed. R.A. Foakes. 3rd ed. London: Methuen, 1957.
King Lear. Ed. Kenneth Muir. 9th ed. London: Methuen, 1975.
King Richard III. Ed. Antony Hammond. London: Methuen, 1981.
Love's Labour's Lost: 1598. London: University Microfilms Limited, 1964.
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Love's Labour's Lost. Ed. Richard W. David. 5th ed. London: Methuen, 1980.
Measure for Measure. Ed. J.W. Lever. London: Methuen, 1979.
Much Ado about Nothing. Ed. A.R. Humphreys. London: Methuen, 1981.
Much Adoe about Nothing: As It Hath Been Sundrie Times Publikely Acted by the Right Honourable, the Lord Chamberlaine His Seruants. London: Andrew Wise and William Aspley. 1600.
Othello. Ed. M.R. Ridley. London: Methuen, 1982.
Pericles. Ed. F.D. Hoeniger. London: Methuen, 1979.
Shake-Speares Sonnets: Neuer Before Imprinted. London: T.T., 1609.
The Comedy of Errors. Ed. R.A. Foakes. London: Methuen, 1984.
The First Part of King Henry IV. Ed. A.R. Humphreys. 1960; rpt. London: Methuen, 1985.
The First Part of King Henry VI. Ed. Andrew S. Cairncross. London: Methuen, 1981.
The Late, and Much Admired Play, Called Pericles, Prince of Tyre: with the True Relation of the Whole Historie, Aduentures, and Fortunes of the Said Prince: As also, The No Lesse Strange, and Worthy Accidents, in the Birth and Life, of His Daughter 'Mariana': As It Hath Been Diuers and Sundry Times Acted by His Maiesties Seruants, at the Globe on the Banck-side. London: Henry Gosson, 1609.
The Merchant of Venice. Ed. John Russell Brown. 1955; rpt. London: Methuen, 1984.
The Merchant of Venice. Ed. M.M. Mahood. Cambridge: Cambridge University Press, 1987.
The Merry Wives of Windsor: 1602. London: University Microfilms Limited, 1964.
The Merry Wives of Windsor. Ed. H.J. Oliver. London: Methuen, 1979.
The Most Excellent Historie of the Merchant of Venice With the Extreme Crueltie of Shylocke the Iewe towards the Sayd Merchant, in Cutting a Iust Pound of His Flesh: And the Obtayning of Portia by the Choyse of Three Chests: As It Hath Been Diuers Times Acted by the Lord Chamberlaine His Seruants. London: Thomas Heyes, 1600.
The Sonnets. Ed. John Dover Wilson. 2nd ed. Cambridge: Cambridge University Press, 1976.
The Taming of the Shrew. Ed. Ann Thompson. Cambridge: Cambridge University Press, 1985.
The Taming of the Shrew. Ed. Arthur Quiller-Couch and John Dover Wilson. 1928; rpt. Cambridge: Cambridge University Press, 1975.
The Taming of the Shrew. Ed. Brian Morris. London: Methuen, 1981.
The Tempest. Ed. Frank Kermode. 6th ed. London: Methuen, 1980.
The Two Gentlemen of Verona. Ed. Clifford Leech. London: Methuen, 1981.
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The Winter's Tale. Ed. Arthur Quiller-Couch and John Dover Wilson. 1931; rpt. Cambridge: Cambridge University Press, 1968.
The Winter's Tale. Ed. J.H.P. Pafford. London: Methuen, 1973.
Titus Andronicus. Ed. J.C. Maxwell. 3rd ed. London: Methuen, 1963.
Troilus and Cressida. Ed. Kenneth Palmer. London: Methuen, 1982.
Twelfth Night. Ed. Arthur Quiller-Couch and John Dover Wilson. 2nd ed. London: Cambridge University Press, 1968.
Twelfth Night. Ed. J.M. Lothian and T.W. Craik. London: Methuen, 1975.
Twelfth Night or What You Will. Ed. Elizabeth Story Donno. Cambridge: Cambridge University Press, 1985.
SISAM, Kenneth, ed.
Fourteenth Century Verse & Prose. 1921; rpt. London: Oxford University Press, 1975.
SMITH, J.C. and de Selincourt, E., eds.
The Poetical Works of Edmund Spenser: Edited with Critical Notes. London: Oxford University Press, 1912.
STEANE, J.B., ed.
Thomas Nashe: 'The Unfortunate Traveller' and Other Works. Harmondsworth: Penguin, 1978.
The Bible and Holy Scriptvres
Conteyned in the Olde and Newe Testament: Translated According to the Ebrve and Greke, and Conferred with the Best Translations in Diuers Languages: With Moste Profitable Annotations vpon All the Hard Places, and Other Things of Great Importance as May Appeare in the Epistle to the Reader. Geneva: 1562
The Dramatic Works of Thomas Dekker
now First Collected with Illustrative Notes and a Memoir of the Author in Four Volumes. Ed. anon. IV vols. London: John Pearson, 1873.
THORNDYKE, Ashley, ed.
The Minor Elizabethan Drama. II vols. Everyman's Library Nos 491-492. 1910; rpt. London: Dent, 1951.
WAGNER, Richard.
Parsifal: Ein Bühnenweihfestspiel. Edition Eulenberg No. 911. London: Ernst Eulenberg, n.d.
WARRINGTON, John, ed.
The Diary of Samuel Pepys: Edited from Mynors Bright. III vols. Rev. ed. Everyman's Library Nos 53-55. London: Dent, 1953.
WILSON, John Dover, ed.
The Complete Works of William Shakespeare: The Cambridge Text Established by John Dover Wilson for the Cambridge University Press. 1982; rpt. Leicester: Galley Press, 1987.
WINNY, James, ed.
The Frame of Order: An Outline of Elizabethan Belief Taken From Treatises of the Late Sixteenth Century. London: George Allen and Unwin, 1957.
YEATS, William Butler
The Collected Poems of W.B. Yeats. 2nd ed. London: Macmillan, 1978.
2. Bibliography
HARVEY, Nancy Lenz and Carey, Anna Kirwan.
'Love's Labor's Lost': An Annotated Bibliography. New York: Garland Publishing, 1984.
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McMANAWAY, James G. and Roberts, Jeanne Addison.
A Selective Bibliography of Shakespeare: Editions, Textual Studies, Commentary. Charlottesville: University Press of Virginia, 1975.
MESEROLE, Harrison T. and Smith, John B., eds.
'Shakespeare: Annotated World Bibliography for 1983.' Shakespeare Quarterly, 35 (1984), 660-924.
PAYNE, Waveney R.N.
A Shakespeare Bibliography. London: The Library Association, 1969.
3. Concordances
IRWIN, C.H., Adams, A.D. and Waters, S.A., eds.
Cruden's Complete Concordance to the Old and New Testaments: With Notes and Biblical Proper Names under One Alphabetical Arrangement. 1930; rpt. Rev. ed. London: Lutterworth Press, 1967.
SPEVACK, Marvin.
The Harvard Concordance to Shakespeare. Cambridge, Massachusetts: Belknap Press of Harvard University Press, 1974.
4. General Reference and Criticism
BREWER, E. Cobham.
A Dictionary of Phrase and Fable. New ed. London: Cassell, n.d.
BRISTOL, Michael D.
Carnival and Theatre: Plebeian Culture and the Structure of Authority in Renaissance England. London: Methuen, 1985.
BROOK, Peter.
The Empty Space. London: MacGibbon and Kee, 1968.
DRABBLE, Margaret.
The Oxford Companion to English Literature. 5th ed. Oxford: Oxford University Press, 1985.
EMPSON, William.
Seven Types of Ambiguity. 3rd ed. London: Chatto and Windus, 1956.
FOWLER, Henry Watson.
A Dictionary of Modern English Usage. Ed. Ernest Gowers. 1926; rpt. 2nd ed. London: Oxford University Press, 1965.
FREUD, Sigmund.
The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. and ed. James Strachey, Anna Freud, Alix Strachey and Alan Tyson. XXIV vols. London: Hogarth Press, 1968.
GUIRAND, Felix, ed.
New Larousse Encyclopedia of Mythology. Trans. Richard Aldington and Delano Ames. Rev. ed. London: Hamlyn, 1977.
JUNG, Carl Gustave.
The Collected Works of C.G. Jung. Ed. Herbert Read, Michael Fordham and Gerhard Adler. Trans. R.F.C. Hull et al. XX vols. London: Routledge and Kegan Paul, 1957-1979.
KNIGHTS, Lionel Charles.
Drama and Society in the Age of Jonson. 1937; rpt. Harmondsworth: Penguin, 1962.
MAXWELL-MAHON, W.D., ed.
Critical Texts: Plato to the Present Day. Johannesburg: Perskor Publishers, 1979.
SIMPSON, John Andrew and Weiner, Edmund, S.C., eds.
The Oxford English Dictionary. XX vols. 2nd ed. Oxford: Oxford University Press, 1989.
SAINTSBURY, George.
A History of Elizabethan Literature. 1887; rpt. 2nd ed. London: Macmillan, 1920.
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van GENNEP, Arnold.
The Rites of Passage. Trans. Monika Vizedom and Gabrielle Caffe. Chicago: University of Chicago Press, 1960.
WERTHAM, Frederic.
A Sign for Cain: An Exploration of Human Violence. New York: Paperback Library, 1969.
WRIGHTSON, Keith.
English Society 1580-1680. London: Hutchinson, 1982.
5. Shakespearean Reference and Criticism
AGNEW, Gates K.
'Berowne and the Progress of Love's Labour's Lost.' Shakespeare Studies, 4 (1968), 40-72.
ANDRESEN-THOM, Martha.
'Shrew-Taming and Other Rituals of Aggression: Baiting and Bonding on the Stage and in the Wild.' Women's Studies, 9 (1982), 121-143.
ARMSTRONG, Edward A.
Shakespeare's Imagination: A Study of the Psychology of Association and Inspiration. 1946; rpt. Lincoln: University of Nebraska Press, 1963.
ARONSON, Alex.
Psyche and Symbol in Shakespeare. Bloomington: Indiana University Press, 1972.
ARTHOS, John.
Shakespeare's Use of Dream and Vision. London: Bowes and Bowes, 1977.
BALDWIN, Thomas Whitfield.
Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure from 1470. Urbana: University of Illinois Press, 1947.
The Organization and Personnel of the Shakespearean Company. Princeton: Princeton University Press, 1927.
William Shakespeare Adapts a Hanging. Princeton: Princeton University Press, 1931.
BANES, Daniel.
The Provocative Merchant of Venice. Silver Spring: Malcolm House Publications, 1975.
BARBER, Cesar Lombardi.
Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. 1959; rpt. Princeton: Princeton University Press, 1972.
'"Thou that beget'st him that did thee beget": Transformation in Pericles and The Winter's Tale.' Shakespeare Survey, 22 (1969), 59-67.
BARKER, Gerard A.
'Themes and Variations in Shakespeare's Pericles.' English Studies, 44 (1963), 401-414.
BARTON, Anne.
'A Source for Love's Labour's Lost.' Times Literary Supplement, November 24, 1978, pp.1373-1374.
BATTENHOUSE, Roy W.
'Measure for Measure and Christian Doctrine of Atonement.' Publications of the Modern Language Association, 61 (1964), 1029-1059.
BERGERON, David M.
'Sexuality in Cymbeline.' Essays in Literature, 10 (1983), 159-168.
BERMAN, Ronald.
'Shakespeare and the Law.' Shakespeare Quarterly, 18 (1967), 141-150.
BERRY, Edward.
Shakespeare's Comic Rites. Cambridge: Cambridge University Press, 1984.
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BERRY, Ralph.
Shakespeare and the Awareness of the Audience. London: Macmillan, 1985.
Shakespeare's Comedies: Explorations in Form. Princeton: Princeton University Press, 1972.
'The Words of Mercury.' Shakespeare Survey, 22 (1969), 69-77.
BIGGINS, Dennis.
'"Exit pursued by a beare": A Problem in The Winter's Tale.' Shakespeare Quarterly, 13 (1962), 3-13.
BLOOM, Allan David and Jaffa, Harry V.
Shakespeare's Politics. Chicago: University of Chicago Press, 1981.
BOAS, Frederick S.
Shakspere and His Predecessors. London: John Murray, 1896.
BONAZZA, Blaze Odell.
Shakespeare's Early Comedies: A Structural Analysis. Studies in English Literature Vol.9. The Hague: Mouton, 1966.
BONJOUR, Adrien.
'Polixenes and the Winter of His Discontent.' English Studies, 50 (1969), 206-212.
BOORMAN, S.C.
Human Conflict in Shakespeare. London: Routledge and Kegan Paul, 1987.
BRADBROOK, Muriel Clara.
Shakespeare the Craftsman: The Clark Lectures 1968. London: Chatto and Windus, 1969.
BRENNAN, Anthony.
Shakespeare's Dramatic Structures. London: Routledge and Kegan Paul, 1986.
BROOKE, Stopford A.
On Ten Plays of Shakespeare. 1905; rpt. London: Constable, 1954.
BROOKS, Charles.
'Shakespeare's Romantic Shrews.' Shakespeare Quarterly, 11 (1960), 351-356.
BROOKS, Harold F.
'Two Clowns in a Comedy (To Say Nothing of the Dog): Speed, Launce (and Crab) in The Two Gentlemen of Verona.' Essays and Studies, 16 (1963), 91-100.
BROWN, Ivor.
Shakespeare in His Time. Edinburgh: Thomas Nelson, 1960.
BROWN, John Russell and Harris, Bernard, eds.
Early Shakespeare. Stratford-upon-Avon Studies No.3. London: Edward Arnold, 1961.
BROWN, Verna.
'"Lilies that fester": A Study of Thwarted Idealism in Julius Caesar, Hamlet and Measure for Measure.' Dissertation, M.A. University of South Africa, 1988.
BURGESS, Anthony.
Nothing Like the Sun: A Story of Shakespeare's Love-life. London: Heinemann, 1964.
Shakespeare. Harmondsworth: Penguin, 1972.
CALDERWOOD, James L.
'A Midsummer Night's Dream: The Illusion of Drama.' Modern Language Quarterly, 26 (1965), 506-522.
'Styles of Knowing in All's Well.' Modern Language Quarterly, 25 (1964), 272-294.
'The Mingled Yarn of All's Well.' Journal of English and Germanic Philology, 62 (1963), 61-76.
CARR, Joan.
'Cymbeline and the Validity of Myth.' Studies in Philology, 75 (1978), 316-330.
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CHAMBERS, Edmund Kerchever.
Shakespeare: A Survey. London: Sidgwick and Jackson, 1955.
William Shakespeare: A Study of Facts and Problems. II vols. Oxford: Clarendon Press, 1930.
CHARLTON, H.B.
Shakespearian Comedy. London: Methuen, 1973.
CLARK, Cumberland.
Shakespeare and Psychology. London: Williams and Norgate, 1936.
COBB, Noel.
Prospero's Island: The Secret Alchemy at the Heart of 'The Tempest'. London: Coventure, 1984.
COGHILL, Nevill.
'Comic Form in Measure for Measure.' Shakespeare Survey, 8 (1955), 14-27.
Shakespeare's Professional Skills. London: Cambridge University Press, 1964.
Coleridge's Essays
and Lectures on Shakspeare and Some Other Old Poets and Dramatists. Ed. anon. Everyman's Library No.162. London: Dent, n.d.
COLMAN, E.A.M.
The Dramatic Use of Bawdy in Shakespeare. London: Longman, 1974.
COOK, Judith.
Women in Shakespeare. London: Harrap, 1980.
CORIAT, Isador H.
'Anal-Erotic Character Traits in Shylock.' International Journal of Psychoanalysis, 2 (1921), 354-360.
COX, Lee Sheridan.
'The Role of Autolycus in The Winter's Tale.' Studies in English Literature 1500-1900, 9 (1969), 283-301.
CRAIG, Hardin.
'Magic in The Tempest.' Philological Quarterly. 47 (1968), 8-15.
CRAIG, Horace S.
'Duelling Scenes and Terms in Shakespeare's Plays.' University of California Publications in English, 9 (1940), 1-28.
CROFT, P.J.
'The "Friar of Order Gray" and the Nun.' Review of English Studies, 32 (1981), 1-16.
CURRY, Walter Clyde.
Shakespeare's Philosophical Patterns. 2nd ed. Baton Rouge: Louisiana State University Press, 1959.
CUTTS, J.P.
'Pericles' "Downright violence".' Shakespeare Studies, 4 (1969), 275-293.
DASH, Irene G.
Wooding, Wedding and Power: Women in Shakespeare's Plays. New York: Columbia University Press, 1981.
de GRAZIA, Margreta.
'The Tempest: Gratuitous Movement of Action without Kibes and Pinches.' Shakespeare Studies, 14 (1981), 249-265.
DESSEN, Alan C.
Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984.
DOWDEN, Edward.
Shakespere: A Critical Study of His Mind and Art. 10th ed. London: Kegan Paul, Trench, Trubner, 1892.
DRAPER, John W.
'Kate the Curst.' Journal of Nervous and Mental Disease, 89 (1939), 757-764.
EAGLETON, Terence.
Shakespeare and Society: Critical Studies in Shakespearean Drama. London: Chatto and Windus, 1967.
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EGAN, Robert.
Drama within Drama: Shakespeare's Sense of His Art in 'King Lear', 'The Winter's Tale', and 'The Tempest'. New York: Columbia University Press, 1975.
ELLIOT, G.R.
'Weirdness in The Comedy of Errors.' University of Toronto Quarterly, 9 (1939), 95-106.
ELLIS, John.
'Rooted Affection: The Genesis of Jealousy in The Winter's Tale.' College English, 25 (1964), 545-547.
ERICKSON, Peter B. and Kahn, Coppélia, eds.
Shakespeare's Rough Magic: Renaissance Essays in Honor of C.L. Barber. Newark: University of Delaware Press, 1985.
ERICKSON, Peter B.
'The Failure of Relationship between Men and Women in Love's Labor's Lost.' Women's Studies, 9 (1981), 65-81.
FELDMAN, A. Bronson.
'Shakespeare's Early Errors.' International Journal of Psychoanalysis, 36 (1955), 114-133.
FREEDMAN, Barbara.
'Falstaff's Punishment: Buffoonery as Defensive Posture in The Merry Wives of Windsor.' Shakespeare Studies, 14 (1981), 163-174.
FREY, Charles.
Shakespeare's Vast Romance: A Study of 'The Winter's Tale'. Columbia: University of Missouri Press, 1980.
FRYE, Northrop.
A Natural Perspective: The Development of Shakespearean Comedy and Romance. New York: Columbia University Press, 1965.
'Characterization in Shakespearian Comedy.' Shakespeare Quarterly, 4 (1953), 271-277.
The Myth of Deliverance: Reflections on Shakespeare's Problem Comedies. Toronto: University of Toronto Press, 1983.
GARNER, Shirley Nelson.
'A Midsummer Night's Dream: "Jack shall have Jill; | Nought shall go ill".' Women's Studies, 9 (1981), 47-63.
GARNER, Stanton B.
'The Tempest: Language and Society.' Shakespeare Survey, 32 (1979), 177-187.
GODSHALK, William Leigh.
'Pattern in Love's Labour's Lost.' Renaissance Papers, 1968, pp.41-48.
'The Structural Unity of The Two Gentlemen of Verona.' Studies in Philology, 66 (1969), 168-181.
GORDON, George.
Shakespearian Comedy and Other Studies. Ed. Edmund Kerchever Chambers. London: Oxford University Press, 1945.
GRANVILLE-BARKER, Harley.
Prefaces to Shakespeare: First Series. London: Sidgwick and Jackson, 1948.
Prefaces to Shakespeare: Second Series. London: Sidgwick and Jackson, 1954.
GRANVILLE-BARKER, Harley and Harrison, G.B.
A Companion to Shakespeare Studies. London: Cambridge University Press, 1955.
GREY, Austin K.
'The Secret of Love's Labour's Lost.' Publications of the Modern Language Association, 39 (1924), 581-611.
GRUND, Gary R.
'The Fortunate Fall and Shakespeare's Merchant of Venice.' Studia Neophilologica, 55 (1983), 153-165.
GURR, Andrew.
'The Bear, the Statue, and Hysteria in The Winter's Tale.' Shakespeare Quarterly, 34 (1983), 420-425.
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HALLIDAY, F.E.
A Shakespeare Companion. Rev. ed. Harmondsworth: Penguin, 1969.
HANKINS, John E.
'Caliban the Bestial Man.' Publications of the Modern Language Association, 62 (1947), 793-801.
HARRISON, G.B.
Introducing Shakespeare. 3rd ed. Harmondsworth: Penguin, 1974.
HARTLEY, Lodwick.
'Claudio and the Unmerry War.' College English, 26 (1965), 609-614.
HASSEL, Rudolph Chris.
Faith and Folly in Shakespeare's Romantic Comedies. Athens: University of Georgia Press, 1980.
HAWKINS, Harriett.
'What Kind of Pre-Contract Had Angelo? A Note on Some Non-Problems in Elizabethan Drama.' College English, 36 (1974) 173-179.
HAYLES, Nancy K.
'Sexual Disguise in As You Like It and Twelfth Night.' Shakespeare Survey, 32 (1979), 63-72.
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